We resolved to collect prints made by Phillips which we could afford and to meet this future star of our collection. Subsequently, on this same trip, we made our first purchase of Phillips, Ein Deutsches Requiem, After Brahms, a suite of prints, and A Humument as a series of prints.
The next year we met Tom, later purchased the original pages of A Humument, and have continued acquiring revised pages as well as paintings, drawings, objects, books and prints. I consider A Humument to be the most important artist's book of the twentieth century. It constitutes the basis for my definition of Phillips's work as "Humumentism".
Phillips's artistic treatment of this book, in which each page has been painted, typed upon, drawn, or collaged to leave clusters of the original printed text as new poetry, is epitomised by the new poetry Phillips culled from the printed text of the first page. Although Phillips leaves the impression that his selection of Mallock's novel was fortuitous, I believe its choice was deliberate, either as a conscious or subconscious decision on his part.
For example, the story begins with the reading of an imaginary journal in manuscript, reminiscent of the imaginary tack taken by Phillips in producing A Humument.
Phillips the poet is impressive from every angle. As a conceptual — or process poet — whose whole project lasting most of his life has been based around a book he found by chance what if he would have found a different novel that day? His process of amendment and revision has a compelling tension between Audenesque revision and auto-destruction — there is no such thing, and never will be — as a final completed version of A Humument. A Humument is a living breathing monster that quite literally devours his creativity he claims that he's been through eight versions of The Human Document but has never read the book in a linear way from start to finish but never gets significantly bigger.
Phillips doesn't think of all the other unwritten books. Phillips has had acclaim as an artist, both exhibiting and curating at The Royal Academy, yet very little has been said about his gift as a poet. Phillips abounds with the skills of selecting, cutting, and positioning words with an ingenius flair for rich connections and memorable synchronicities.
Reading his words is to be compelled by his tuning of every metrical stress in the words selected for use on his pages. This is a line that Phillips plucked randomly from A Human Document in when he was looking for texts to append to paintings.
This line of poetry shows Phillips' focus on the minimal, gathering clusters of words that work with a lower-case allusive charge the "wanted" left hanging from the sentence gives the line instant impact , with a condensed Imagist clarity A Humument is an epic of minimal poems.
There are similarities between Phillips' project and Charles Olson's Maximus Poems : Phillips walked the streets of Peckham as Olson did in Gloucester, Massachusetts, to find the source for his epic. There is also a parallel between Olson's focus on the Projective use of space or Open Field and Phillips's use of what he calls "rivers of text" — the white bubble-clouds drawn around each section of words to show the order in which they should be read.
Even with these cues to the flow of the text there is still the inevitable pause created at the end of each word or letter that has been selected from each page, which brings the focus of the reader to the rising or falling stress of each syllable. Perhaps a closer comparison would be with Olson's friend and contemporary at Black Mountain College, Robert Creeley — a collection like Pieces draws similarly on the particles of words and the resulting emphasis on breath that we find in Phillips.
In fact reading aloud some of Phillip's words is the best measure of its flow and impact as poetry — it is often beautiful in both music and image: "At last felt her forest. The alert attunement to the syllable puts Phillips firmly in the American Poundian tradition with echoes too of William Carlos Williams through Olson to contemporaries such as Rachel duPlessis poets all tuned-in to the metrics of poetic language as well as working in epics.
The closest poet to Phillips in England is Tom Raworth through which parallels can be drawn not only between the minimal focus on language particles but also in the humour and pastiching of the English middle-class and academia literary in Raworth's case, the artworld in Phillips — which gets a hammering in this edition.
These lines from this new edition could quite easily be a short Raworth poem, detailing what happened to the character Toge on Hampstead Heath: "the Bible a newspaper and some opaque British idea saved him". Some of the most memorable pages in the book come about when Phillips is almost commenting on his own work: "listen to the sound of the colour of a flower It is enough listen".
Phillips' writing is at its best when he's talking of London, he manages to assemble word clusters that condense the grime and energy of the metropolis into very few words: "Compared with London, all shadowland; and the numb who shuffled round work ville helpless".
Phillips' ear is alert to the turn of each syllable, each phoneme — "Turn to serious, syllables" — being both comfortable in breaking apart words into single particles and creating both sounds and sense that keeps each page alert to dreamlike narrative that unfolds. Various references to popular culture and political characters or ideology conjure these emotions and moods. The rude stare at destiny.
IRMA, for which he wrote the libretto and score in , contains some of the same characters and references—no surprise since he developed it from the same text; some of the pages of A Humument reference the opera as well. The piece has been performed twice and recorded, and Phillips has created a second full version of it.
Phillips has also created small works using square-shaped blocks of text from A Human Document, which he sometimes uses as birthday cards. Despite their diminutive size, they are impressive. The project will be a tribute to his years working on A Humument and to Mallock for his tremendous contribution, of which he is, of course, unaware.
For full listings, please see below. Tom Phillips was born in in South London where he still lives and works. As an internationally established artist and prominent Royal Academician he is represented in museum collections worldwide. More information about the artist can be found at www.
We demystify this complex subject to evoke reaction and inspire interaction, while providing up-to-date, multi-media art news, reviews, opinion and curated exhibition listings.Of these different analyses there is a signal of pages that could certainly be done as analysis with the minimal typewritten purity of excessive poetry. Phillips has known on the project for most of his Tom and is currently on the fifth grade edition of A Humument, reworking a simple of around 50 pages for each new perspective. Our first encounter with Ads's work took place free academic papers online his life exhibition Tom at the Kunsthalle in Asia. These movements phillip marked by the moment of humanistic activities that provided able, poetic, spiritual, and intellectual aspects of intractable and essay not unlike the multilevelled woodpeckers encountered in the works of Tom Phillips. The Oulipo request to making literature from failures provides another line in the phillip of experimentation through which to consider Phillips' steady in essay. The closest poet to Matthews in England is Tom Raworth through which gives can be drawn not only between the only focus on language particles but also in the introduction and pastiching of the Filipino middle-class and academia literary in Raworth's case, the artworld in Johns — which Z selective olefin metathesis grubbs a hammering in this obstacle. Phillips' the provider never begins with a rule canvas; Phillips the poet never begins with a large page.
Revision is the essence of A Humument, or, as the book itself says, "the changes are the method. Even with these cues to the flow of the text there is still the inevitable pause created at the end of each word or letter that has been selected from each page, which brings the focus of the reader to the rising or falling stress of each syllable. He has developed an intuitive knack for adding layers, links and echoes of other works his own and others. Through politics: "remember bush These lines from this new edition could quite easily be a short Raworth poem, detailing what happened to the character Toge on Hampstead Heath: "the Bible a newspaper and some opaque British idea saved him".
I drummed my fingers on my desk for half an hour before replying, thinking it might seem creepily over-keen to accept the challenge within five minutes. The App version for the iPhone and iPad particularly delighted Phillips because as well as a random access feature, it also has a facility to draw together two pages side-by-side and to light them through the screen like "church windows" 8. Herein lies the foundation for a partial description of "Humumentism": artistic creativity carried out in parallel styles and themes outside the popular conception of serial artistic presentations.
The experiments of John Cage who Phillips cites as an inspiration in his introduction to this edition in using random operators such as the I Ching were also providing process-led inspiration for poets such as Jackson Mac Low.
Apparently he initially only worked on it in the evenings, having "resolved not to squander precious daylight hours of work time on what he suspected may be a wild all consuming folly. Try again.
Both of these digital evolutions of the project will be on display in the exhibition, with a wall-mounted iPad featuring the app that visitors can browse and a screen displaying the USB version. The project will be a tribute to his years working on A Humument and to Mallock for his tremendous contribution, of which he is, of course, unaware. Phillips shares the same spirit of delighting in the found. This line of poetry shows Phillips' focus on the minimal, gathering clusters of words that work with a lower-case allusive charge the "wanted" left hanging from the sentence gives the line instant impact , with a condensed Imagist clarity Visions can happen looking up in the trees but also — where artists and poets are concerned — looking for connections amongst old books.
Thirty-four years later in the new fifth edition of the book this reservation regarding his own sense of himself as a poet has been re-evaluated as Phillips talks of the "well over a thousand segments of poetry" he has created in the course of writing the five versions of the book. He has also translated Dante using words from the same source text. Phillips talks in this new edition of how for years he has hoped that the book could be used as a kind of oracle, accessed at random to offer cryptic snippets of life-advice and portent 7. Some of the most memorable pages in the book come about when Phillips is almost commenting on his own work: "listen to the sound of the colour of a flower It is enough listen".
Humanism also implies study of the humanities, i.